Hubka’s book exhibits a fine blend of scholarship, accessibility, and panache. In fact, Hubka’s is the only book in the field of Jewish architecture that attempts to contextualize a building with such specificity and with such a broad sense of the way it belongs in its immediate and more extensive cultural surroundings. It is unique in using architecture to fill in details of the relatively undiscovered country of pre-Hasidic Eastern Europe. The extrapolations it invites are essential to understanding the period and place, making Hubka’s thesis a force to be reckoned with.