[A] stimulating, thought-provoking and in places quite humorous book that will be of interest to professionals and lay readers alike.
A bullet misses its target in Sarajevo, a would-be Austrian painter gets into the Viennese academy, Lord Halifax becomes British prime minister in 1940 instead of Churchill: seemingly minor twists of fate on which world-shaking events might have hinged. Alternative history has long been the stuff of parlor games, war-gaming, and science fiction, but over the past few decades it has become a popular stomping ground for serious historians. The historian Richard J. Evans now turns a critical, slightly jaundiced eye on a subject typically the purview of armchair historians. The book’s main concern is examining the intellectual fallout from historical counterfactuals, which the author defines as “alternative versions of the past in which one alteration in the timeline leads to a different outcome from the one we know actually occurred.” What if Britain had stood at the sidelines during the First World War? What if the Wehrmacht had taken Moscow? The author offers an engaging and insightful introduction to the genre, while discussing the reasons for its revival in popularity, the role of historical determinism, and the often hidden agendas of the counterfactual historian. Most important, Evans takes counterfactual history seriously, looking at the insights, pitfalls, and intellectual implications of changing one thread in the weave of history. A wonderful critical introduction to an often-overlooked genre for scholars and casual readers of history alike.
[A] stimulating, thought-provoking and in places quite humorous book that will be of interest to professionals and lay readers alike.
London Times
[A] stimulating, thought-provoking and in places quite humorous book that will be of interest to professionals and lay readers alike.
Evans insists that some things are 'speculation, not history, ' and generally useless--possibly fun, but a distraction from serious business. To those who enjoy such speculation, Evans will seem a bit of a killjoy, and he seems to be fascinated, perhaps in spite of himself, by the subject. His exploration of counterfactual history is in part a history of the topic.
Evans is at his best on questions of historical causation; what was necessary for events to happen the way they did?... Altered Pasts brings an impressive historical intelligence to bear on what are too often dismissed as parlour games... Evans makes a bullishly enjoyable primer in the history of what might have been, but it seems unlikely to succeed in making subjunctive history a thing of the past.
Evans makes a very good case for real history.
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