Baby You're a Rich Man

Suing the Beatles for Fun and Profit

Stan Soocher

The Beatles, the most popular, influential, and important band of all time, have been the subject of countless books of biography, photography, analysis, history, and conjecture. But this long and winding road has produced nothing like Baby You’re a Rich Man, the first book devoted to the cascade of legal actions engulfing the band, from the earliest days of the loveable mop-heads to their present prickly twilight of cultural sainthood. Part Beatles history, part legal thriller, Baby You’re a Rich Man begins in the era when manager Brian Epstein opened the Pandora’s box of rock ’n’ roll merchandising, making a hash of the band’s licensing and inviting multiple lawsuits in the United States and the United Kingdom. The band’s long breakup period, from 1969 to 1971, provides a backdrop to the Machiavellian grasping of new manager Allen Klein, who unleashed a blizzard of suits and legal motions to take control of the band, their music, and Apple Records. Unsavory mob associate Morris Levy first sued John Lennon for copyright infringement over “Come Together,” then sued him again for not making a record for him. Phil Spector, hired to record a Lennon solo album, walked off with the master tapes and held them for a king’s ransom. And from 1972 to 1975, Lennon was the target of a deportation campaign personally spearheaded by key aides of President Nixon (caught on tape with a drug-addled Elvis Presley) that wound endlessly through the courts. In Baby You’re a Rich Man, Stan Soocher ties the Beatles’ ongoing legal troubles to some of their most enduring songs. What emerges is a stirring portrait of immense creative talent thriving under the pressures of ill will, harassment, and greed. Praise for They Fought the Law: Rock Music Goes to Court “Stan Soocher not only ably translates the legalese but makes both the plaintiffs and defendants engrossingly human. Mandatory reading for every artist who tends to skip his contract’s fine print.”—Entertainment Weekly

Cover Image of Baby You're a Rich Man: Suing the Beatles for Fun and Profit
Cloth: $27.95 | E-book: $19.99
ISBN-13: 9781611683806
Pages: 314 | Size: 6 in. x 9 in.
Date Published: August 31, 2015

“In daily newspaper-ese, Baby You’re a Rich Man is unputdownable.”

Times Higher Education (U.K.)


  • [T]his accessible and well-written book [is] a worthwhile read for serious Beatles fans interested in the legal and financial details of the world’s most popular band.

    Library Journal
  • Fab! Soocher’s cast of mobbed-up producers, cut-out shilling managers, and opera-composing judges reads like Elmore Leonard in the Sky with Diamonds.

    Steven Lee Beeber
    author of The Heebie-Jeebies at CBGB’s: A Secret History of Jewish Punk
  • Baby You’re a Rich Man foregrounds lost or little-known detail to provide a kind of alternative biography. [His] achievement is to present detailed analysis of dry legal material in a manner that is as enjoyable as a thriller. In daily newspaper-ese, Baby You’re a Rich Man is unputdownable.

    Times Higher Education
  • [Soocher’s] work is relevant to both Beatles maniacs from back in the day and modern musicians alike.

    Colorado Music Buzz
  • As mega-successful but legally clueless young men, the Beatles-both as a group and individually-collected more lawsuits than gold records. Stan Soocher, painstakingly and accessibly, sorts it all out in the fascinating, entertaining, and meticulously researched Baby You’re a Rich Man. The book should serve as a cautionary tale for anyone even thinking of entering show business.

    Jeff Tamarkin
    author of Got a Revolution!: The Turbulent Flight of Jefferson Airplane

About the Author

STAN SOOCHER is associate professor of music and entertainment industry studies at the University of Colorado’s Denver Campus. In addition, he is an entertainment attorney and has served as Editor-in-Chief of Entertainment Law & Finance. The recipient of the Texas Star Award from the State Bar of Texas, Soocher has written for Rolling Stone and the National Law Journal and is previously the author of They Fought the Law: Rock Music Goes to Court.

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