Making and Unmaking Literature in the Warsaw, Lodz, and Vilna Ghettos

Sven-Erik Rose

This is the first study devoted to how little known but essential authors grappled with the destitution of ghetto existence by writing within, at the limits of, and against an array of literary scenarios, tropes, plot lines, and generic conventions, including those of nature lyric, modernist interior monologue, the realist social novel, the detective story, and the gothic horror tale. Contending with starvation, disease, desperate housing conditions and the looming threat of being murdered, inhabitants of ghettos in Poland nonetheless made them sites of rich Jewish cultural production. Rose’s readings of these literary works reveal how authors asserted their humanity by insisting on writing works of literature. In such radically dehumanizing circumstances, however, their recourse to established literary genres was not na ve. Rather, ghetto authors brilliantly meditated on the grotesque incongruities between established literary models and the extreme conditions of ghetto existence.

Paper: $40 | Cloth: $120 | E-book: $39.95
ISBN-13: 9781684582754
Pages: 344 | Size: 6 in. x 9 in.
Date Published: July 25, 2025
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Among the most powerful works of literary criticism I have read in many years. The focus on literary production in the ghettos is both literary criticism/history and Holocaust history, and should be taken seriously in both fields. A must-read.

Naomi Seidman

University of Toronto

Reviews

  • The first scholarly account of the literature written in the
    ghettos that takes it seriously as literature. The consequences for
    our understanding of the ghettos as a historical phenomenon, of
    the lives lived there, and of the way that these lives have been
    remembered, memorialized, and understood, are profound.

    Na’ama Rokem
    University of Chicago
  • Sven-Erik Rose has written a work of immense erudition and
    scholarly acumen. His portrait of literature produced under circumstances horrific or worse is masterful. A fluent, persuasive
    argument for the importance of writing—much of it now
    forgotten or neglected—that he resurrects with rare skill.

    Steven J. Zipperstein
    Stanford University

About the Author

Sven-Erik Rose

Sven-Erik Rose is an Associate Professor of German and Chair of the Department of German and Russian at UC Davis. He has published in venues such as Jewish Social Studies, French Studies, Postmodern Culture, and New German Critique on topics including Jewish masculinity in the cinema of Mathieu Kassovitz; Holocaust postmemory in the work of Patrick Modiano; the 18th-century German-Jewish philosopher Lazarus Bendavid’s Kantian fantasies of Jewish decapitation; and Cold War controversies around a text by Yehoshue Perle that was unearthed as part of the Warsaw Ghetto “Oyneg Shabes” archive. His first book, Jewish Philosophical Politics in Germany 1789-1848, was published by Brandeis University Press in the Tauber Institute Series for the Study of European Jewry. The book was awarded the Jordan Schnitzer Book Award from the Association for Jewish Studies in the category of Philosophy and Jewish Thought.

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