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Romantic Women Writers

Voices and Countervoices

Paula R. Feldman and Theresa M. Kelley

Essays forging a new definition of Romanticism that includes the wide range of women’s artistic expression.

Paper: $35
ISBN-13: 9780874517248
Pages: 336 | Size: 6 in. x 9 in.
Date Published: May 1, 1995

About the Author

Theresa Kelley

Theresa M. Kelley writes about and teaches romanticism, aesthetics, visual culture, the philosophy and history of natural science, and contemporary narrative. She understands these inquiries as they thread through literary forms and rhetoric in the literature of modernity. The inquiries that she follows consider: forms of life and knowledge in modernity; autonomy and mastery as disciplinary and human inquiries; and relations between materiality, practice, and theory in scientific writing. She has written widely on these questions in articles and books, including Clandestine Marriage; Botany and Romantic Culture ( Johns Hopkins, 2012), Reinventing Allegory (Cambridge, 1997), and Wordsworth’s Revisionary Aesthetics (Cambridge, 1988). She is at present working on the relation between materiality and its representation in word and image in romantic era scientific practice and theory; and a book on romantic futurity in post-Terror narratives and contemporary writing.

Paula R. Feldman

Paula R. Feldman holds the C. Wallace Martin Chair in English and the Louise Fry Scudder Chair in Liberal Arts at the University of South Carolina. She is the editor of British Women Poets of the Romantic Era: An Anthology and the coeditor of The Journals of Mary Shelley.

Brian C. Cooney is an associate professor of English at Gonzaga University.

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