The Jazz Barn

Music Inn, the Berkshires, and the Place of Jazz in American Life

John Gennari

This is a book about what happened in the 1950s in a barn, an icehouse, and a greenhouse in the verdant Berkshire Hills of western Massachusetts. Against the backdrop of McCarthyism, the civil rights movement, the expansion of the Afro-Caribbean diaspora, and postwar cultural tourism, two New Yorkers bought part of a sprawling estate in Lenox, where they converted an old barn and other outbuildings into an inn that could host musical performances and seminars. The Berkshire Music Barn went on to host jazz greats like Duke Ellington, Dave Brubeck and Billie Holiday, as well as jazz roundtables grounded in folkloric approaches to the music.

The Jazz Barn explores the cultural significance of venues like the Berkshire Music Barn and later the Lenox School of Jazz to tell a surprising story about race, culture, and place. John Gennari explores how a predominantly white New England town became a haven for African American musicians, and reveals the Berkshires as an important incubator not just of American literature and classical music but also of the Modern Jazz Quartet and Ornette Coleman’s “new thing.” The Berkshire Music Barn became a crucial space for the mainstreaming of jazz. By the late 1950s, the School of Jazz was an epicenter of the genre’s avant-garde. 

Richly illustrated with the photographs of Clemens Kalischer among others, The Jazz Barn demonstrates that the locations where jazz is played and heard indelibly shape the music and its meanings.

Cloth: $35 | E-book: $34.95
ISBN-13: 9781684582853
Pages: 254 | Size: 5 in. x 8 in.
Date Published: October 15, 2025
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Jazz lovers will relish this exploration of a crucial place in jazz’s development.

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Reviews

  • Gennari connects place, race, and music in a local story with global significance. He writes with the insights of a master writer, a jazz soloist who understands tone, rhythm, and the enlightening elegance of a thing well done. The remarkable photographs give us additional insights into the story.

    Benjamin Cawthra
    Author of Blue Notes in Black and White: Photography and Jazz
  • This is jazz history at its best. John Gennari tells a fascinating story about a moment in the music's history that is as essential as it is uncelebrated. This highly recommended book is as thoroughly researched as it is engaging.

    Krin Gabbard
    Author of Better Git It in Your Soul: An Interpretive Biography of Charles Mingus
  • With a deep dive into a lesser-known institution in jazz history, John Gennari breathes life into every page of this fascinating tale of Music Inn in the 1950s Berkshires. Weaving personal accounts of growing up in the region with riveting cultural analysis of key players in jazz, this book is quite obviously a labor of love, and it is the reader who is the beneficiary.

    Tracy McMullen
    Associate Professor of Music, Bowdoin College
  • John Gennari’s book encourages one to see the former jazz barn, not as a relic of the past but the source of so much we consider normal today. I’m delighted and enriched by his restorative and significant book.

    Darius Brubeck
    from the Foreword
  • Gennari’s dynamic approach to place and movement, augmented by the many remarkable photographs by people with their own histories of place and movement, ensures this is no supplemental Jazz-in-a-Barn (and Inn) story, nor barnstorming travelogue of bands on the road—but collection of stories about encounters in a place of purposeful jazz-focused convening across communities.

    Sherrie Tucker
    Professor, American Studies, University of Kansas
  • A brilliant meditation on art, place, and the political imagination as they entwined to the sound of jazz in postwar New England. Dazzling cultural analysis slyly delivered as a lively untold story.

    David Hajdu
    Professor at Columbia University and author of "Love for Sale: Popular Music in America"

About the Author

John Gennari

John Gennari is Professor of English and Critical Race and Ethnic Studies at the University of Vermont. Gennari’s previous book, Flavor and Soul: Italian America at Its African American Edge (University of Chicago Press, 2017), is a study of Black/Italian cultural intersections in music and vernacular soundscapes, foodways, sports, and other forms of expressive culture. His earlier book, Blowin’ Hot and Cool: Jazz and Its Critics (University of Chicago Press, 2006), won the ASCAP-Deems Taylor Award for Excellence in Music Criticism and the John G. Cawelti Award for Best Book in American Culture Studies.

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